Magadi Days

The Hindu Young World-Goodbooks Awards 2016 announced

http://www.thehindu.com/features/lit-for-life/the-hindu-young-worldgoodbooks-awards-2016-announced/article8112609.ece

The Hindu Young World Goodbook awardees (from left) Sujatha Padmanabhan, Prabha Mallya, Venita Coelho and Vishakka Chanchani at the Lit For Life Festival. Photo: R. Ragu

The Hindu Young World-Goodbooks Awards 2016, the first Indian awards to promote excellence in Indian children’s books, were presented here on Friday.

Sujatha Padmanabhan received the best picture book- story award for ‘Bumboo…The Donkey who would not budge’, published by Eklavya, 2015.

In the citation, the jury comprising Usha Mukunda, Sujata Noronha, Amruta Patil, Aashti Mudnani said: “An endearing story of a little donkey, living with a loving family high in the mountains of Ladakh. The relationship between the young girl and the donkey is delineated with sensitivity. Bumboo has an engaging storyline that manages to keep the suspense alive. For the reader, there is a slow but sure connection with the characters and personalities.”

Prabha Mallya bagged the award for the best picture book-illustrations for ‘The alphabet of animals and birds’ published by Red Turtle, 2014. In the citation, the jury said: “In describing collective nouns, the premise of the alphabet of animals and birds, Prabha Mallya notes that they exist not for utilitarian reasons, but to bring nuance, metaphor and imagination to language. Such quirky delights find kindred spirit in Prabha Mallya.”

Venita Coelho received the award for the best book- fiction for ‘Dead as a Dodo,’ published by Hachette, 2015. “A smart, witty, fast-paced novel about saving the Earth and animals from the reckless greed of human beings,” said the jury comprising Manjula Padmanabhan, Jai Arjun Singh and Anil Menon in the citation.

Vishakha Chanchani emerged the winner in the best book-non-fiction category for ‘The house that Sonabai built,’ published by Tulika, 2014. The book is about a remarkable woman who began experimenting with clay to create toys for her little son. “A heart warming and significant book about life, art and above all hope,” the citation read.

Goodbooks, a website for Indian children’s books, is supported by Wipro Applying Thought in Schools, Wipro’s social initiative in education.

Catering to the young – Anil Menon, Sujata Noronha, Shailaja Menon and Vidya Mani on children’s literature in India

http://www.thehindu.com/features/metroplus/indian-writing-for-children/article8116511.ece

When Vidya Mani was a child, Enid Blyton opened up a world where tin cans often held sardines to feast on. Only, the cans she opened at home hardly ever held this delicacy, a staple in Blyton’s larder.

It took Vidya a while to realise that sardines were a type of fish, and even longer to figure out that they were not served out of cans in this part of the world. It was for reasons like this that the panellists at ‘A Good Book: Literature for Children in India’ — author Anil Menon, teacher/library educator Sujata Noronha and researcher Shailaja Menon, in conversation with writer and editor Vidya — agreed that Indian children need to read Indian books.

“Books serve as both mirrors and windows — they should reflect your own realities and give you an opportunity to see the realities of others. Growing up, we didn’t see our lives mirrored in the books we read — the lives they lived, the food they ate and the language they spoke were all different,” said Shailaja. Now, there is a boom in the number of Indian authors writing in English, and a steady growth among those writing, illustrating and publishing for children.

“We can actually reject books at the library now {her organisation, Bookworm, works with children and communities through a library programme}; that alone shows we have come a long way from a time when we were glad for any book that came our way,” said Sujata.

The panellists agreed that a distinct Indian voice is emerging, one which celebrates the factors that make us who we are, without being apologetic about it. However, Anil pointed out that children still need stories that have them addicted to reading, something with about 20 volumes to satisfy their hunger.

“We don’t have a Chetan Bhagat for children and, perhaps, we need one,” said Anil. While Vidya commented that children don’t always respond to what adults determine as quality literature, Sujata responded, “No child would read a good book if we left it up to displays, given the current bookshop scenario. Nurturing and urging is a professional responsibility.”

The panellists critiqued and commented on many aspects of writing, publishing and reviewing, and agreed that Indian literature for children still has a long way to go.

“We’ve made great strides and this is not to critique those strides, but to celebrate them and hold the bar higher,” said Shailaja.

On Boti Betta, 2013

Many of the frequented rock assemblies in our vicinity have been named by CFL children. It doesn’t take very long before a “new” haunt gets “named”. And whatever the name and however clear or curious its association with a place, the name comes to stay.

So nearby we have Cake Rock and Caterpillar Rock and Owl Rock. On the northern horizon, almost always in view, lies Bermuda Triangle. Also to the north is Mallige Betta, with its wild jasmine. These landmark rocks are often destinations for walks.

Boti Betta or Boti-like rock rises abruptly up from the scrubby land. A scramble up brings you to a lovely table top. Here you will find small rock pools, clumps of grass, ferns tucked under rock faces and a cold breeze. It is a lovely perch from which you can gaze out far in all directions. The story goes that while on a walk, children were munching tube shaped crisps called “botis”. They climbed up this yet un-named rock and decided to call it Boti Betta.

Our eleven and twelve year-old Palashas recently spent a long morning on Boti Betta. Most of the time was theirs to spend as they pleased. They had prepared a picnic breakfast, which they graciously served. They then convened in a circle to play a silent a game on the rocktop, séance-like.

And then they dispersed to their own spots from where they sketched, holding their pieces of paper down, lest they fly away.

Savandurga, our elephantine monolith, loomed in the southwest. It was named before our time. Its name is said to have various origins. One suggestion is that it was named after the Vijaynagara governor, Samantdurga. Another thought is that the artist Robert Home, who drew this rock from a distance in 1794, named it Savinadurga, fort of death.

Our Palashas, as they sat in their silent circle on Boti Betta, were beautifully placed against all of these Ancient Rocks: Mallige Betta, Bermuda Triangle and Savandurga.

~ Diba

The Tamalas In The Magadi Goat Market, 2013

On a cool billowy Friday morning, the Tamalas, our ten year-olds, found themselves in the midst of goats and sheep and vans and people, dodging mud puddles at the Weekly Animal Bazaar.

This was the final trip as part of their Magadi History Project. The earlier trips had been to successively larger settlements, starting with Varadenhalli, where CFL is located and then to Motaganahalli, a village of a thousand homes, ten minutes by road. The visits had given the children a chance to look and listen and to gain a sense of lives around us. Back at school, they recounted their time. They talked aloud about what they had seen and learned. They classified their observations into groups such as homes, water, animals, work. They asked questions about each group, they compared aspects of the two villages. They asked themselves about change in this area in the last fifty years. They wrote down their descriptions, comparisons and theories.

The Magadi Trip was dramatic. It was Friday Market Day. The streets were full. Vegetable sellers sitting on the roadside, goat muzzles on the pavement, chickens and ducks packed into a tight coop. Potsellers, flower sellers. And the Friday Goat Market, on the vast premises of Kempegowda’s Fort grounds. After being in this busy midst, we spent a quiet half an hour at the peaceful Someshwara temple. We have been here over the years, and this time, it was heartening to see that it is now under the care of the Karnataka Archaeology Department.

The children came away both with very graphic observations and descriptions as well as with questions. Here is a sampling:

You don’t have to grow lots of vegetables to sell them. You can set up a small vegetable stall on a plastic sheet and sell what you have.

How can you tell how deep a step well is? Oh, you can just look at it and follow the slope of the steps all the way down.

Why do people sell goats? And what do people do with the goats they buy? They need the money. But people who buy goats also need the money. They can sell the goats again, they can sell the milk. They can wait for more baby goats and sell those.

The artists who carved the sculptures at the Someshwara temple were both very skilled and very patient.

Apart from being in the midst of goats and flowers and earthen pots, the children saw that even a very small farmer, who may grow vegetables behind her house, can set up a small shop on the pavement. They found out, to their surprise, that the vegetables we eat and school come from these very Magadi angadis, big and small.

~ Diba

CFL Newsletter 2014

It seems so very trite to state that we humans approach our world with moral stances. Obviously, these stances, or rather nuggets of attitudes, moral tastes, make up the very core of our being. Philosophers have argued over the ages that they constitute the essence of what it means to be human. Yet our moral anchors are also deeply problematic. When my sense of what is right clashes with yours, in any realm, conflict ensues. Moral anchors can be interpreted as what may bind us together within communities, but also, and to a greater extent, what divides us as nations, religions, castes and ultimately as individuals.

Read about this and more, in our latest newsletter, Issue 20!

Banana Fibre Workshop, 2014

The middle schoolers from Varadenahalli school and CFL were happy participants in a banana fibre workshop. Friends from Sirsi:  Vidya, Nirmala and Premila, conducted the workshop. In Sirsi, they are part of an organization, Chetana, which works with children and young adults with special needs. Six adults at Chetana have taught around thirty young people the art of making stationery and boxes with waste paper and banana fibre.

Together, they spend the day in song, movement and craft. We were all impressed by the precision and neatness of the work and the finish. Our younger ones insisted on attending assembly, the next day, with their lovely banana boxes by their sides.

~ Diba

No hiccups here!

Book: Hic!copotamus.

 

 

 

 

 

 

 

 

 

Author: Geeta Dharmarajan.

Artist: Atanu Roy.

Publisher: Katha.

Price: Rs. 140.00

The inimitable pair of Geeta and Atanu have turned their talents to bring out a book to laugh with.

The usual sounds of the Gulmohar Jungle are rudely disturbed one morning by something gigantic sploshing into the Lily Pond. What in heaven could it be? The rest of the story is pure fun and can be enjoyed by children as they listen, take roles and enact the hilarious scenes.

Atanu Roy shows his versatility in creating absurd and comical representations of the animals in the forest. Geeta Dharmarajan’s story line keeps the guessing game alive, and the participation of the animals and readers going at a good pace. The conversational style draws both younger and older readers alike.

“Soon they were all busy thinking. ‘Water’, said Forest Fox suddenly. That’s what we foxes drink when we hiccup. It works every time!”

” ‘Thanks!’ said Hawasi, ‘Water I love!'”

One trend that can be noticed in fiction for children these days is the inclusion of facts either at the end of the story or interspersed within the text. This does not always match the age group the story is intended for. But here it blends in well, probably because children are insatiably curious about animals.

Altogether a book which children will relate to both in terms of animals they love and hiccups which are a source of delight to everyone except the sufferer!

Usha Mukunda.   usha.mukunda@gmail.com         Oct. 29th 2014.

Who has seen the wind?

Book: The Dust Storm.

 

 

 

 

 

 

 

 

 

Author: Geeta Dharamarajan.

Artist: Atanu Roy.

Publisher: Katha.

Price: Rs. 140.00

Children from almost all backgrounds are being sent earlier and earlier to play schools, many of which do not deserve that nomenclature. Most of them “preoccupy” their wards leaving them with hardly any space to day dream.The creative and formative years of a child’s life is taken up with planned ‘activities.’ Where is the place for imagination? Against this reality, this book comes as a refreshing breath of air.

The story opens with a young girl who steps out of her ordinary home and is carried along by a dust storm. The remaining pages are pure joy as the young girl encounters magical situations that every child could and should envision. Atanu Roy wafts both adults and children into meadows of flowers, clouds of balloons and a myriad rainbow. There is a sense of free flow in his use of colours and movement. An artist who lives his dream!

Geeta Dharmarajan is a master story teller but of late I had missed the spark in her writing. She is back in full force in this tale with rhyming couplets and soaring images.

“I feel so good,

I want to fly.

Rainbow says.

‘Go on, just try.’”

And again, “I slide on balloons.

           Blue and green.

         I ride a cloud horse,

           Like a queen.”

I was reminded of the poem “Who has seen the wind?”by Christina Rossetti.

Who has seen the wind?

Neither I nor you:

But when the leaves hang trembling,

The wind is passing through.

The production, as always is excellent.

Usha Mukunda.  usha.mukunda@gmail.com     October 29th 2014.